

Sally McLean is an experienced dramatic Shakespearean actor with Musical Theatre roots who has played lead, support and guest roles in film, television and theatre in Australia, the USA and UK

ABOUT SALLY
Actor. Writer. Director. With a bit of a thing for Shakespeare.
Award-winning actor, writer and director Sally McLean, began her work in the entertainment biz in her mid-teens and has since performed lead, guest and supporting roles in numerous Australian, US and UK film, theatre and television productions.
A graduate of The Actors Institute UK, Sally’s notable screen acting credits include the lead role of “Angie Powers” in the BAFTA Award-winning BBC mini series Bootleg opposite Tim Robinson, lead guest role of “Stacy” in the AACTA Award-winning ABC TV series Utopia opposite Celia Pacquola and recurring guest roles of “Miss Giddens” in the ABC/CBBC TV series The Worst Year of My Life – Again! opposite Tiarnie Coupland and “Barb” in the USA Sony/AMC TV series, Preacher opposite Pip Torrens & Christopher Kirby.
Predominately working on screen, Sally is also an experienced dramatic Shakespearean actor with Musical Theatre roots and has played over thirty lead and support roles in theatre in both Australia and the UK. Highlights include roles in the West End premiere of the drama Annabel’s Requiem, what is believed to be the first all-female production of Macbeth in the UK and the professional Australian premier of the hit Broadway musical I Love You, You’re Perfect, Now Change.
Sally created her own boutique production business, Incognita Enterprises, under the Honorary Patronage of Oscar® nominated actor, Sir Nigel Hawthorne KB, CBE in 1997 – an association that continued until his passing in 2001.
Reels & Videos
Clips from Sally’s various recent screen roles including Utopia, Upper Middle Bogan, The Trinity Experiment (Directed by Clayton Jacobson) and ‘Till The Boys Come Home.
Current Reel
Comedy Reel
Drama Reel
Reviews
"... incendiary performances from Sally McLean as "Katharina" and Miguel Perez as "Petruchio" ... I really felt like I got a completely new insight into their relationship, and particularly the character of "Katharina"."
Mind The Blog (#LDNTheatreBloggers circle)
for “Taming of The Shrew” @ The Show Must Go Online”
“… polished, beautifully made series from director/producer Sally McLean … A fine use of the platform and, more importantly, a very fine adaptation of the Bard … Shakespeare Republic is put together with grace and wit. An assortment of actors do terrific work making the (non-dumbed down) dialogue accessible, prying it open with great care and skill.”
The Guardian
about “Shakespeare Republic: #LoveTheBard”
“… Sally McLean as the ‘Nurse’ – which also means a kind of choric narrator – carries and expounds the text in a mellifluous voice with great confidence, authority and a feel for the timing of the rhetoric … beautiful, disciplined performance …”
Michael Brindley, Stage Whispers
for “The Medea Project”, Brunswick Arts Space
“… an utterly convincing performance as the old Scottish King, belying the fact that McLean is not only young and a woman, but also Australian.”
Time Out, London UK
for “Macbeth”, Duke of Cambridge, UK
"Sally McLean as “Val Crane”, the embittered aunt of the lead character, found tremendous light and shade in a role that could have easily been played on the one angry note. Instead of taking that obvious road, she showed her depth of talent, giving Val a compelling complexity and believability while negotiating some very tricky plot points, which a lesser actor would have found impossible to navigate with any truth."
Theatre Alive
for “Flame Trees”, TheatreWorks
“... the standouts were … Sally McLean (“Katherine”) who drew an achingly beautiful and entirely convincing portrait of a woman in crisis and conflict, caught between her love for and abject fear of a brutal husband.”
Theatre Australia
for “Chasing Pegasus: a play in ten chords”, Gasworks Arts Park
“The cast are all superb actors … "Judith" (played by Sally McLean), starts off as a likable, genuine character … McLean gave the character great vulnerability and depth, as well as being convincing as an early sufferer of MS …”
Tara Wilkins, Theater Talk
for “The Clairvoyant”, Kingston Arts Centre